Five choreographers’ questions. One set of creative thinking tools. FRONT invited five leading US-based choreographers to reformat a period of artistic creation past into a series of questions now. The result is a publication with the spirit of a toolbox, through the lens of contemporary dance.Read more "FRONT: ED05"
BUOY OPENING LETTER For FRONT’s fourth edition, we trespass outside artistic production, asking the dark rich waters of process: What resources do communities self-engender to underwrite artistic inquiry? How is dance developed in the realms of privacy or friendship? What shines skulls and pelvic bowls diagonal from project-driven logics? When distinct roles elide, authorship blossoms […]Read more "FRONT: ED4"
She just brought this today. Check this out: now it’s a bag! Obviously, I cannot hang this right now. And my musicians are not here. Allie Hankins who walks out resolutely told me Sunday. Idarubinstein-dancing-1913.jpg “Nijinsky’s Golden Slave” by Kevin Kopelson in Dancing Desires—-> Ida Rubinstein danced with Nijinsky in Michel Fokine’s Schéhérazade (1910)——> […]Read more "Allie Hankins: Like a Sun That Pours Forth Light but Never Warmth"
The first time Tahni talked with me about the project that would become Duet Love, she had me hang my head off a bleacher. We had just finished a final rehearsal for her 2012 piece SUN$HINE. Laying there, the studio upside down, she instructed: “Take in the room, its depth, its volume, the lights, the […]Read more "Duet Love for Stance"
The inaugural Festival TBD ran July 24-28th at Abrons Art Center/Henry Street Settlement. Fresh baked from a “city-wide heat emergency,” five summer nights on the Lower East Side unfolded Ben Pryor’s neatly creased Emergency Glitter, opening a “new amorphous framework…of loosely related curatorial endeavors, each with their own structure and context.” If you don’t know […]Read more "Festival TDB: Emergency Glitter"
I had always thought that I would be fantastic at voguing—I love to dance in clubs. That should be good training, right?— A couple years ago, I took a voguing workshop from master instructors Archie Burnett and Brahms “Bravo” LaFortune and thought: Finally, my moment has arrived. Each class culminated in the whole group striking […]Read more "Camille A. Brown & Dancers – MR. TOL E. RAncE"
I took my seat for White Bird’s first show of the 2012-2013 Uncaged Series feeling quite the cynic—reluctantly as I really didn’t want to feel jaded about the Trisha Brown Dance Company, but despite myself as I’ve lost faith in major dance production. The Newmark Theatre is an awkward dance venue for Portland. The seating […]Read more "Trisha Brown Company"